Image: Yandell Walton, Move Me, 2021, video of work in development using motion capture and photogrammetry.
The research and development of Move Me was supported through the ANAT Ideate program and the Philip Hunter Fellowship, Melbourne University.
ANAT is a global leader in brokering opportunities for artists to work with science and technology partners. We do this because we believe artists are essential to how we imagine and shape our future.
Jennifer Kemarre Martiniello, Ancestor’s Red Ochre Dreaming Place. Photo courtesy Jennifer Kemarre Martiniello.
Beeyali, 2021, Lyndon Davis, Leah Barclay, Tricia King. Beeyali is a Kabi Kabi word meaning “to call”.
IP//AI Workshop, Back row, L-R: Corey Ruha, Desna Whaanga-Schollum, Melissa DeLaney, Mike Hill, Rosie Baum, Tianee Stanley, Sherice Kazzi, Kathryn Gledhill-Tucker, Carollyn Kavanagh. Front row, L-R: Sasha Sarago, Chantel Bates, r e a , Karlie Noon, Gabriela Ferraro, Angie Abdilla, Jenn Brazier, Aushaf Widisto.
Chris Henschke, Song of the Phenomena. Photo Credit: Dark Mofo/Jesse Hunniford, 2019, Image Courtesy Dark Mofo, Hobart, Tasmania, Australia.
Capacity 2 (crop) from the Habitation series, Helen Pynor, 2020. Archival pigment print, lightbox. 120 x 67.5 cm. Edition of 1 + 1AP
Capacity has been supported by the City of Joondalup, Western Australia. Habitation, a 2021 Experimenta Commission.